![]() A number of top tier producers (like Ryan Tedder explains in his class here ) prefer PT's sonic output / character, whatever that may be and however believable that is (since all DAWs should null). There is perhaps an exception to that, which is PT. Pop music of late has had hits created in most DAWs - PT (Ryan Tedder, Benny Blanco, Max Martin), Logic (Greg Kurstin, Paul Epworth, RedOne), Cubase (Ian Kirkpatrick, Zedd), Ableton, FL Studio.ĪKA the DAW does not matter as long as you know how to use it. Choose what fits for you and your workflow. Personally, I would not choose a DAW for a certain genre other than EDM. I would guess any DAW comes with some "strings." If not there is $10 strings to $1000 3rd party strings. It's about the production and use of tools, not the DAW that is the framework for the production environment. For example, download and listen to the backing vocals from Taylor Swifts Style. Even backing vocals used for effect can barely be discernible. Autotune, alignment tools, and hundreds of tracks. These producers go crazy utilizing DAW features that can be achieved in most any DAW. RedOne and Fame Monster was Logic, but I consider that to be fairly unique situation because the synth patches he used are fairly generic and could be generated from multiple sources. I'm not sure about Stargate or Max Martins crew. Even if you describe it as the current Billboard Top-10. The "exotic genre" of pop music really doesn't describe much because pop music means so many different things to many different people. ![]() Also consider how much time with samples vs. Click to expand.One aspect to consider that sort of.but not totally eliminates some of the DAWs is your preference for either a linear environment (majority of DAWs) or a DAW that is good at non-linear (Ableton) hence popular with EDM production. ![]()
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